This is flat-out one of the hottest things I've ever seen. It's probably February 1997 but I'm not sure. Pututi II looks a bit older than he does here. Apparently Pututi I, who was playing drumset on the Marianao video, was out sick with la gripa, so his brother, who normally played timbales, had to play both drums and timbales on short notice. This is itself is not such a feat - many bands, like Van Van and el Trabuco, require their drummers to do this every night, but to do it on the fly - and to do it like THIS is just mind-boggling. Pututi II, and the güiro player, and the whole band, are just out of their minds. I saw Manolín at this same Quinta Avenida outdoor nightclub the very first night I ever spent in Cuba (Feb. 1999) - a concert that led to the creation of timba.com (and the loss of my sanity). There was something truly magical about that outdoor venue that seemed to set every band on fire. The camera stays on the percussion but if you listen carefully you can hear that Issac Delgado is sitting in on two songs.

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More historic footage from the final tour of one of Cuba's all-time greatest bands - the 1998 Paulito FG y su Élite. This video is everything that this one (http://goo.gl/DCsSCl) is not: it's not complete, has barely any songs that go all the way from beginning to end and doesn't stay on the tripod. BUT - it has better audio quality, substantially better video quality and some pretty amazing camera work. My suggestion is to study the Miami concert until you've got the gear system and then enjoy this one for the closeups and detail. This is Set 1 - Set 2 is here: http://youtu.be/v-gTbbQN9lQ

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The audio and video quality is not quite ready for IMAX, but this is a truly historic document - the final concert of the final tour of one of the greatest bands ever assembled. After this December 1998 show at Café Cristal in Miami, conguero Tomasito Cruz and future Tiempo Libre vocalist El Kid Díaz left the group to stay in Miami, and after returning to Havana, bassist Joel Domínguez, drummer Yoel Páez and pianist Yaniel "El Majá" Matos left to join the 1999 incarnation of Issac Delgado's band (the band that played the Y2K Concert posted a few months back). The rest of the band includes El Bola Betancourt on trumpet, Carlos Pérez on trombone Juan Ceruto on sax and arrangements. and of course three future members of Havana d'Primera: Alexander Abreu, Rogelio Nápoles and Yosvel Bernal. When we discuss HdP's "resumen de los 90" mission statement - rekindling the brilliance of the timba era - there's no doubt that the PFG 98 band was their overarching inspiration. You can hear all three of these guys solo on Estamos en escena (use the hyperlinks in the video description for quick navigation).

What sets this band aside from all others is their unique approach to timba gears - Paulito quite literally "calls" each gear change with a sophisticated set of hand signals - explained in this youtube:

In 1997, when the classic album Con la conciencia tranquila was recorded (the source for most of the songs from this show), the rhythm section was the same except for Sergio Noroña on piano, but at that point they had two main timba gears - presión and bomba. In 1998 they added a third "masacote"-style timba gear dubbed (at least by Tomasito) "songo con efectos". They played this more and more over the course of 1998 and you can hear plenty of it in the Noche de Cristal audio concert posted a few months ago. That was about 3 months before this show - the last stop on the historic 1998 US tour. I will soon post another video from a few days before this one - at SOBs - it doesn't have complete songs but does have vastly superior video quality. This beauty of this particular video is that most of the songs are complete and there's very little fancy camera work so you can see Paulito and most of the rhythm section all of the time and you can watch as Paulito dishes out his hand signals and the band responds brilliantly. There's also a long version of Estamos en escena in which almost everyone gets a solo. Last but not least is the never-recorded masterpiece, Laura, and the original version of La última bala, later recorded as Una vez más on the 2000 album of the same name.

This is the same band that played this concert in Havana a few months earlier: 

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Tom Ehrlich has posted two galleries on the 2015 SF SalsaRueda Festival, featuring Mayito Rivera, Timbalive and hundreds of phenomenal dancers from around the world.

FRIDAY

SATURDAY

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