Indice - Table of contents
Discography
- 1956-67-The Charanga Period
- 1968-The Formell Period
- 1969-81-Formell-influenced Period
- 1980-The First Charangón
-
1984-88-The Juan Carlos Alfonso Period
-
1988-199?-The Tony Gómez Period
- 199?-1997-Elio Revé's Final Albums
- 1999-Changüí en la casa de Nora
- The Early 2000s - Lele and El Gallo
- 2005-Se sigue comentando
- 2007-Homenaje 50 años
- 2007-Fresquecito
-
2010-De qué estamos hablando
- 2014 - La aplanadora de Cuba
- 2015 - La Salsa Tiene Mi Son
- 2018 - Yo me muero en La Habana
Lo Nuevo [hide]
Reportes : From The St... : Page 1
Resenas : Test Review MPL
Resenas : Test revew
Musicos : New Musician
Fotos : Tom Ehrlich : test subpage
Fotos : Tom Ehrlich : test 3
Fotos : Michael Lazarus : MPL - New Gallery 1
Tienda : Methods · Métodos
Musicos : Juan Formell
Musicos : Yordamis Megret Planes
Musicos : Yasser Morejón Pino
Musicos : José Luis "Changuito" Quintana
Musicos : Dennis Nicles Cobas
Fotos :
Fotos Del Día [hide]
Discography - 1988-199?-The Tony Gómez Period
1988-199? - The Tony Gómez Period
Personnel:
Elio Revé - timbales
Antonio Gómez - piano, arranger
"El Padrino", Yumurí Valle, Juan Miguel Díaz"El Indio" - voices
Gonzalo "Pipo" Noroña - bass
Oderquis Réve - bongó, quinto, batás
? - congas
? - strings
? - trombones
When Juan Carlos Alfonso broke away to for Dan Den, he took Alfonsito, and possibly others, with him. Meanwhile Héctor Valentín also left - first for Adalberto y su Son, and then to form his own group, which was quite popular for a while in the early 90s. El Padrino stayed, and was joined by Yumurí, Maraca's brother, who later had a successful group of his own, and Juan Miguel Díaz, Angá's brother, who, confusingly, shares the apodo "El Indio" with Sixto Llorente of Aliamén and Trabuco fame.
The new pianist/arranger, Antonio Gómez, was a monster and the group continued brilliantly in spite of JC Alfonso's departure.
