Archivo

Lo Nuevo [hide]

Tienda : Test Page 20250825
Reportes : From The St... : Page 1a
Reportes : From The St... : Page 1
Resenas : Test Review MPL
Resenas : Test revew
Musicos : New Musician
Fotos : Tom Ehrlich : test subpage
Fotos : Tom Ehrlich : test 3
Fotos : Michael Lazarus : MPL - New Gallery 1
Tienda : Methods · Métodos
Musicos : Juan Formell
Musicos : Yordamis Megret Planes
Musicos : Yasser Morejón Pino
Musicos : José Luis "Changuito" Quintana
Musicos : Dennis Nicles Cobas
Cuba based rap duo, Zona Franka, blends traditional rhythms with the grit and swagger of hip-hop and rap vocal phrasings. Their clever shout choruses create instant tropical dance classics using their unique self-titled "changui con flow" style.

Fotos Del Día [hide]

cuban music, musica cubana cuban music, musica cubana cuban music, musica cubana cuban music, musica cubana
All
Authentic Latin Music Catalog for SYNC - TV & Film Music

La Última

tuesday, 10 may 2022, 10:30 am

RIP Sergio Noroña

cuban music, musica cubana

We've lost another titan of the timba era. Sergio Noroña's timba career was short but extremely important. Looking back with the perspective of 25 years, certain albums from the 90s stand out as timeless masterpieces and Paulito FG's Con la conciencia tranquila is at or near the top of that list.

Sergio's predecessor in that legendary band--Emilio Morales--and his successors--Yaniel "El Majá" Matos and Rolando Luna--were also great innovators and, as with any great musical collaboration, it's not always possible to determine who contributed which idea. For example, in concert, Morales was the first to play Y San Toma qué and the basic idea for the title track. Among the breathtaking piano tumbaos that I know from my MIDI research were definitely penned by Noroña were Y ahora qué, No te crees, and at least some aspects of Paulito's anthem, De La Habana. He also anecdotally contributed piano tumbao ideas during the pre-Con la conciencia period when he was the band's tecladista and added his distinctive voice to the coro section. But beyond the authorship of tumbaos, Noroña played with a rhythmic ferocity distinct among the great timba pianists. To get a sense of the excitement he generated from the piano chair, track down Paulito's live show at the Plaza de la Revolución from late 1996 or early 1997. After his short tenure with Paulito, Noroña was a member of the great Envidia house band that recorded on many important CDs, e.g., Michel Maza's Fieeesta and Que hablen los habladores. 

It's difficult to piece together the full family tree but the extended Noroña family includes many great timba musicians, including Julio Noroña, Los Van Van's founding and current güiro player, Julio's son, Julito Noroña, who fills the same role with Pupy y Los Que Son Son, Paulito alumnus Yosvel Bernal, now tecladista with Havana d'Primera, the great Revé bassist Pipo Noroña, and longtime Van Van trombonista Edmundo Pina, to name just a few. Whenever you see Noroña, Bernal, or Pina in the credits of an album, it's probably one of Sergito's relatives. He'll be greatly missed. 




You must login to post a comment.