Indice - Table of contents
Lo Nuevo [hide]
Reportes : From The St... : Page 1
Resenas : Test Review MPL
Resenas : Test revew
Musicos : New Musician
Fotos : Tom Ehrlich : test subpage
Fotos : Tom Ehrlich : test 3
Fotos : Michael Lazarus : MPL - New Gallery 1
Tienda : Methods · Métodos
Musicos : Juan Formell
Musicos : Yordamis Megret Planes
Musicos : Yasser Morejón Pino
Musicos : José Luis "Changuito" Quintana
Musicos : Dennis Nicles Cobas
Fotos :
Fotos Del Día [hide]
The Roots of Timba, Pt. III - 1977
January: Ritmo Oriental recorded 7 more tracks immediately after the album we just studied, including:
• the singing/songwriting debut of Tony Calá, El son de Claro (source)
• Al que le tocó le tocó (source), quoted by Issac (source) and others
• the tragically never-reissued Yo no me equivoco [write EGREM]
• La Ritmo's take on Beethoven's 5th - La quinta [write EGREM]
Spring: Irakere released its second studio album, the first with Paquito D'Rivera and Arturo Sandoval. Some highlights:
• Chéquere-son (source) featured a seamless Cubanization of Charlie Parker's bebop classic Billie's Bounce (source), paving the way for the rapid-fire hornlines that NG La Banda would call los metales de terror.
• Juana 1600's (source) Another of Irakere's more successful fusions was funk with batá.
• Xiomara (source) -- Combining the metales de terror idea with the first recording of the scorching hot rumba dance groove to which timba owes such a debt.
July: Orquesta Aragón -- The all-time greatest traditional charanga orquesta released the second LP of their brief but wonderful foray (source) into the experimental 70s scene. They called their new style cha-onda (source) and it continued to influence groups like Maravilla de Florida and later, the timba movement, long after Aragón had returned to its more traditional roots.
