Indice - Table of contents
New Stuff [hide]
Tienda : Test Page 20250825
Reportes : From The St... : Page 1a
Reportes : From The St... : Page 1
Resenas : Test Review MPL
Resenas : Test revew
Musicos : New Musician
Fotos : Tom Ehrlich : test subpage
Fotos : Tom Ehrlich : test 3
Fotos : Michael Lazarus : MPL - New Gallery 1
Tienda : Methods · Métodos
Musicos : Juan Formell
Musicos : Yordamis Megret Planes
Musicos : Yasser Morejón Pino
Photos of the Day [hide]
The Roots of Timba - Part II - The Conga Marchas of the 70s
Sabroseao con la Ritmo, the "missing link" in the development of Ritmo Oriental's arranging style, also appears to mark a shift in the style of their conguero, Juan Claro Bravo.
Throughout most of the track he plays variations of the generic conga tumbao:
(s=slap, o=tone. x=manoteo)
 xxsx xxoo xxsx xxoo generic                    conga tumbao
But during the middle section of Sabroseao, Juan Claro plays a marcha, now commonly called bota, which was used extensively by Los Van Van and later become extremely important in the timba of Paulito FG, Manolito y su Trabuco and others.
xxsx                    xsxs xxsx xsxs bota                    básica 
 xxsx                    xsxs xxsx x0xo bota                    variation 2 
 source: The                    Tomás Cruz Conga Method, Volume 2
By the time La Ritmo recorded again, Claro had all but abandoned the standard marcha for the flexible new guaguancó-based approach that he would use throughout the rest of his career. Here's a typical example from la Ritmo's Baile del azúcar:
xxsx                    xs00 xoxx xs00 Ritmo                    Oriental  -- Tomasito
 sources: RO:                    Guarachando -- Tomás Cruz Conga Method, Vol. 2
El Yulo had already introduced a similar approach in Los Van Van's 1969 songo recordings, but Juan Claro tended to be stay closer to guaguancó while Yulo's relied more on creative melodic combinations of open tones.
xxsx                    oo00 ooxs xxxs LVV -- Tomasito
 sources: LVV:                    write EGREM -- Tomás                    Cruz Conga Method, Vol. 2
 For                    further study, The                    Tomás Cruz Conga Method, Volume II (co-authored by myself, Orlando Fiol and Mike Gerald) has a full chapter devoted to "songo" with written and video tutorials on a wide variety of Los Van Van and Ritmo Oriental marchas as well as some of Tomasito's own creations.
For                    further study, The                    Tomás Cruz Conga Method, Volume II (co-authored by myself, Orlando Fiol and Mike Gerald) has a full chapter devoted to "songo" with written and video tutorials on a wide variety of Los Van Van and Ritmo Oriental marchas as well as some of Tomasito's own creations.
Meanwhile, Irakere's first conguero, Lázaro "Tato" Alfonso, had his own take on the re-rumbafication of the congas in Cuban pop. Irakere called their version batún-batá. Tato played the congas with one hand and a bell with the other while Oscar Valdés played an interlocking part on an Iyá. We'll have more on this a little later.
Getting Our Bearings
With the "perfect storm" upon us, let's try once again to figure out year it is! We know that Los Van Van Volume I came out in late 1969, and that the next LP by each our three groups didn't come out until 1974. All we have to go on are the EPA numbers of the undated singles and EPs.
6163 - LVV's first EP (1969)
6169 - LVV's second EP (1969)
6233 - Ritmo Oriental's EP Sabroseao con la Ritmo
6281 - LVV's single Aquí se enciende la candela
6332 - LVV's single Y que se sepa
6473 - LVV's single Chirrín chirrán (included on Vol. 2 - 1974)
6556 - LVV's single Llegué llegué (included on Vol. 3 - 1974)(Chirrín chirrán appeared on Vol. III - Vol. II & III were both released in 1974 - therefore 6473 most likely came out in 1974 as well)
EPA-6233 - The Sabroseao EP - 1970? 1971?























