Indice - Table of contents
Beyond Salsa Piano - The Cuban Timba Pian...
- Beyond Salsa Piano Info Page
- Audio and Video Files
- Beyond Salsa Piano - Vol. 1 - 1900-51 - I...
- Beyond Salsa Piano - Vol. 1 Examples
- Beyond Salsa Piano - Vol. 2 - 1940-59 - I...
- Beyond Salsa Piano - Vol. 2 Examples
- Beyond Salsa Piano - Vol. 3 - Int. - 1960...
- Beyond Salsa Piano - Vol. 3 Examples
- Beyond Salsa Piano - Vol. 4 - Int. - 1979...
- Beyond Salsa Piano - Vol. 4 Examples
- Beyond Salsa Piano - Vol. 5 - Advanced - ...
- Beyond Salsa Piano - Vol. 5 Examples
- Beyond Salsa Piano - Vol. 6 - Melón Lewis...
- Volumes 7 and Beyond
- Purchasing Beyond Salsa Piano
New Stuff [hide]
Reportes : From The St... : Cubadisco 2...
Reportes : From The St... : Cubadisco 2...
Resenas : Falcón in Blue
Resenas : Figure It Out
Reportes : From The St... : Jazz Plaza ...
Tienda : Cuban Music Store
Reportes : From The St... : Cubadisco 2...
Fotos :
Musicos : Juan Formell
Musicos : Yordamis Megret Planes
Musicos : Yasser Morejón Pino
Musicos : José Luis "Changuito" Quintana
Musicos : Dennis Nicles Cobas
Fotos :
Photos of the Day [hide]
Kevin Moore - Beyond Salsa Piano - Vol. 3 Examples
Chapter 1 covers the tumultous 1960s which began with Pello el Afrokán's mozambique and Pacho Alonso and Enrique Bonne's pilón. In 1968, Juan Formell, then musical director of Orquesta Revé, began a series of experiments which shattered all the old rules for harmony in Cuban music, opening the door for everything that followed.
Chapter 2 is a broad overview of the most important bands of the 1970s and 1980s: Los Van Van, Ritmo Oriental, Irakere, Maravilla de Florida, Orquesta Aragón, Adalberto Álvarez, Rumbavana, Aliamén, Opus 13, Afrocuba, Orquesta 440, Nueva Generación, etc.
Chapter 3 analyzes the early songo style of Los Van Van.
Chapter 4 can be thought of as a piano-centric companion to our online study of the bass tumbaos of Ritmo Oriental.
Example from Chapter 4
Chapter 5 covers cha-onda, Aragón and Maravilla de Florida's answer to Los Van Van's songo.
Chapter 6 is devoted to Irakere and its followers, the inheritors of the jazzband tradition covered in Volume 2.
Example from Chapter 6
