Indice - Table of contents
The Roots of Timba, Pt I
-
Arsenio's Cuban Recordings 1941-1952
- Arsenio's New York Recordings, 1953-59
- 1940-El pirulero no vuelve más
- 1943-Oye como dice
- 1945-Deuda
- 1945-No hay yaya sin Guayacán
- 1946-Cangrejo fue a estudiar
- 1946-Dame un cachito pa' huele
- 1946-La juventud amaliana
- 1947-Adivínalo
- 1947-Soy el terror
- 1948-Tocoloro
- 1948-Tintorero ya llegó
- 1948-Tumba palo cucuyé
- 1948-Yo no engaño a las nenas
- 1948-El Cerro tiene la llava
- 1948-Esa china tiene coimbre
- 1948-A Belén le toca ahora
- 1949-Pueblo nuevo se pasó
- 1949-Me boté de guaño
- 1949-Los sitios acere
- 1949-Dundunbanza
- 1950-El rincón caliente
- 1950-La juventud de Cayo Hueso
- 1950-El rumbón de Luyanó
- 1951-Me dijo que sí y le dije que no
- 1951-Caminante y laborí
- Epilogue - Guaraguí
New Stuff [hide]
Reportes : From The St... : Cubadisco 2...
Reportes : From The St... : Cubadisco 2...
Resenas : Falcón in Blue
Resenas : Figure It Out
Reportes : From The St... : Jazz Plaza ...
Tienda : Cuban Music Store
Reportes : From The St... : Cubadisco 2...
Fotos :
Musicos : Juan Formell
Musicos : Yordamis Megret Planes
Musicos : Yasser Morejón Pino
Musicos : José Luis "Changuito" Quintana
Musicos : Dennis Nicles Cobas
Fotos :
Photos of the Day [hide]
The Roots of Timba, Pt I - 1946-Cangrejo fue a estudiar
1946 Arsenio Rodríguez - Cangrejo fue a estudiar
xx0x 0xxx 0xx0 xx0x 2-3 son clave
0x00 xx00 x000 xxx0 MIDI example
bassist: Nilo Alfonso
source: Montuneando
notes: This is an even more expressive example of Arsenio's "singing bass" (bajo cantado) innovation. The first 3 notes of the bass tumbao double the melody of the word "cangrejo", the next two reinforce it rhythmically, and the last three supply a countermelody.
Arsenio's greatest and most prolific period was arguably from 1946 to 1951, with Lázaro Prieto on bass and Lilí Martínez on piano. Dundunbanza and its companion volume Montuneando contain about 40 classic tracks from this golden era, but leave out some of the very best tracks, some of which can be found on Tumbao's "Legendary Sessions" CD (with Chano Pozo), and in the transfers of Emiliano Echeverría. Even still, there are quite a few tantalizing listings in the Díaz discography that have apparently never been transferred.
