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Musicos : New Musician
Fotos : Tom Ehrlich : test subpage
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Tienda : Methods · Métodos
Musicos : Juan Formell
Musicos : Yordamis Megret Planes
Musicos : Yasser Morejón Pino
Fotos Del Día [hide]
The Roots of Timba, Pt I - 1950-La juventud de Cayo Hueso
1950 Arsenio Rodríguez - La    juventud de Cayo Hueso
 bassist: Lázaro Prieto
 source: Montuneando
notes: Juventud de Cayo Hueso has three different bass tumbaos and an extraordinary bloque.
xx0x 0xxx 0xx0 xx0x 2-3 son clave 
 xxxx xxxx xxxx xx0x (pickup)
 xxx0    0x0x    xxx0 0x0x    
 xxx0 0x0x    xxx0 0x0x bass    tumbao 1 -- MIDI
 xxxx    xxxx xxxx xx0x (pickup)
 xxx0 0x0x    xxx0 0x0x bass    tumbao 2 - MIDI 
As you can see, tumbao 2, which accompanies Lilí Martínez' piano solo, uses the same rhythm as the first tumbao, but is only half as long. The MIDI example is one of several melodic variations Prieto plays on the same rhythm.
The bloque which transitions into the diablo marks the coro and clave, then repeats a 3-beat cross-rhythm 3 times, and then further ratchets up the rhythm tension by going into triplets.
0x0x 0xxx 000x xx00
 0xxx 000x 0-0-0    0-0-0  
 0-0-0  0-0-0    0xxC xCxC C=Coro    - qué linda tu guaguancó 
 CxCx CxCx xxxx xxxx bloque    (cierre) 
Tumbao 3 is 2 claves long, with a figure that doubles the coro to mark the 2-side in an very timba-like way:
0xx0 xx0x xx0x 0xxx 3-2    son clave 
 xxxx xxxx xxxx xx0x (pickup)
 xxx0    0x0x    xxx0 0x0x    
 xxx0 x00x    0x0x 0xxx bass    tumbao 3 - MIDI






















